David Lynch Revealed His Approach To Art

David Lynch Revealed His Approach To Art
David Lynch Revealed His Approach To Art

Video: David Lynch Revealed His Approach To Art

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“In ninth grade, I dated a girl named Linda Styles. Once I was visiting her, around 9: 30-10: 00 pm, and was about to leave. I went out the door and on the lawn nearby, I met a young man named Toby Keeler. He went to a private school, was my age, but we never met before. And he said that his father draws, - the director recalls. - I asked: "Is he a painter?" And he replied: "No, no. Artist, fine art." It shook me like a bomb had hit my head. And in a millisecond I realized that this is what I want to do all my life. From that moment on, I knew for sure - I only want to be an artist! And I begged Toby to bring me to my father's studio that night, but I ended up there over the weekend. And since then I only wanted to paint, which I did."

The future director began skipping classes at school, although the teachers tried to instruct him that there are things in the world that need to be done regardless of how you feel about them. The result of the exhortations was a stake in physics in the name of art.

“I've been painting for years. I loved doing it. Drawing is just as fun as cinematography,”says Lynch.

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The interlocutor asked the director about the career path and work on the "avant-garde" films "Eraser Head" (1977) and "Elephant Man" (1980). Lynch told a long story: “Then Mal Brooks happened (American director - RBC Style), but it would not be enough to say so briefly. There was a man, Stuart Kornfield, who played a huge role in my life. And Jonathan Sanger, and Eric Bergren, Christopher De Voor (producers - RBC Style). Christopher and Eric wrote the screenplay for The Elephant Man. Stewart worked with Mel Brooks and got the script through his wife, Anne Bancroft, and Jonathan got the script from his child's carer, who was either Eric's or Chris's girlfriend. In any case, it was a very strange tangle of coincidences. And Stewart told me about "The Elephant Man" in some restaurant,and when I heard the title, something exploded in my head and I said, "Stuart, I want to make this movie." When Mel finally decided to stage the painting, he took Eric and Chris into the project, and Jonathan and Stewart, but asked, "Who is this David Lynch?" They replied that I made the movie Eraserhead, which Mel definitely needs to watch. When I found out that Mel would be watching Eraser Head, I told the guys: "Oh, well, it was nice to talk to you."which Mel definitely needs to see. When I found out that Mel would be watching Eraser Head, I told the guys: "Oh, well, it was nice to talk to you."which Mel definitely needs to see. When I found out that Mel would be watching Eraser Head, I told the guys: "Oh, well, it was nice to talk to you."

As a result, after watching the film, the American director jumped out of the cinema door, ran up to Lynch and shouted: “You're crazy! You're in the project!"

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“The number one tool is intuition,” David Lynch expresses his point of view on creating a work of art, including a film. - Now in film schools they teach formulas for filming feature films. This is some kind of prison. You need to be guided by the intuition and ideas that come to your mind, and if you did not immediately grasp them, just think about them. Then they will gather together and something exciting will come to you on its own."

“You will love it, really. Without worrying about money or fame or other things, you just fall in love with the ideas and act of creation that came to you,”continues Lynch, a fan of transcendental meditation.

In a 42-minute interview, he also discussed his many years of experience in transcendental meditation. The practice, which brings Lynch ideas and inspiration, has grown into a way of life, and now the director, as far as possible, spreads his experience to the whole world. In particular, through the David Lynch Charitable Foundation.

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